U, Me aur Hum

Directed by: Ajay Devgn
Starring: Ajay Devgn, Kajol, Divya Dutta, Sumeet Raghavan
Released: 2008

Though we can doubt Ajay Devgn´s good taste when it comes to atrocious Hinglish title (which could very easily turn into a nice Mein, Tum aur Hum), his ambition to stamp his authority on all branches of cinema is nothing to be dismissed easily. U Me aur Hum is a proof of this. From direction, to acting as the male lead, scripting the story and production he has the power over all, the film apparently being a cherished baby of his. However though giving it absolutely all (including his own wife), this off-spring does not turn out what the parent has once imagined.

It all starts highly simply. Ajay meets Piya (Kajol) on a lavish sea cruise and it is a love at first sight for him, while she finds him kinda creepy. To win her over Ajay chooses one of the safest ways – he reads her scrapbook/diary and immediately takes advantage of knowing her preferences – without being told. And isn´t every girl´s dream to find a guy who can read your every wish in your eyes? So Ajay turns a dog-lover, a dance champion and many others things in mere days, in spite of never being a single of those things before boarding the ship. But his love is true, you see, and finally he confesses to his deed to Piya, who is naturally very disappointed and asks him to leave. He does, but makes her promise to think about their relationship and leaves her his phone number. It takes some time, but because this is a love story movie she of course calls. And they get married. Just like that. Ther life could not be more happy actually. True, Piya gets rather forgetful, but otherwise nothing spoils the joy, especially when she gets pregnant.

"I luv uuuuuu!"

"Creepy is the new sexy."

But what if a mere forgetful was to turn out to be an a slowly advancing Alzheimer? Because that actually is what her occasional, but still more frequent and serious blank outs of memory are. And even thought you have suspected nothing something is wrong, this definitely comes as a nasty surprise. Up until that moment a highly boring film speeds up and I had to witness Kajol forgetting the most basic things. That she is married. That she is pregnant. That she has given birth. That her baby in in the tub full of water!!! Her black outs get more and more serious and scary as the disease is rapidly progressing. And there is more uneasy to watch stuff in store. Ajay suffering. Ajay admitting his wife into a medical center. Ajay wanting to take her home again. Kajol screaming. Kajol screeching. Kajol crying. Ajay weeping. You can be 100 % sure you shall feel next to physically sick by the end of the film – that ironically (and illogically) returns to the blissful pinky coloured mood of the beginning.

To watch this woman loosing her mind at times was just too painful.

More then sad I found the movie incredibly disturbing, and that in a very unpleasant manner. The great performances by both Ajay and Kajol, and equally as great Divya Dutta and Sumeet Raghavan in supporting roles, nothing could justify for me the terrible pointlessness of the suffering described. Don´t get me wrong - I think they did a very good job portraying such a serious illness (though I´m sure some of it was not really accurate), but at times it was all just way too much - especially since the only possible message (of not leaving your loved ones alone when they need you) was rather too subtle and came too late in the film. Several times I considered not finishing the movie not because it would be bad, but because I felt sick watching it. The absolutely unbearable scene is the near drowning child and even though it´s clear the kid survives I could not watch that.

Chalo darling. You have Alzhemeir so let´s admit you into.... an aquarium!

Music was terrible, no plus points there, and the background score during the first hour was annoying.

Performances deserve a high rating, but I could not enjoy this film and I´m sure I don´t want to see it ever again. „Sometimes the greatest journey is the distance of all people“ claims the official motto. And sometimes the greatest distance is between beginning of the film to its end.